Rochester Press. Brooks, Jeanice. Publisher: Cambridge Univ.
Series: Musical Performance And Reception. Principes Fondamentaux De l'Harmonie.
Bonet, Narcis,. Publisher: Dinsic Publicacions.
The Musical Work of Nadia Boulanger by Jeanice Brooks (ebook)
Publisher: Hildegard Music. Quatuor A Cordes No. Papineau-Couture, Jean,. Publisher: Doberman-Yppan. Publisher: Atma Classique. Publisher: Naxos. Divine Redeemer.
Series: Naxos American Classics. Leguerney, Jacques,. Publisher: Musik Fabrik. Shen, Hsueh-Yung,. Publisher: Keyboard Percussion Publications. Pinkham, Daniel,. Publisher: American Composers Alliance. Copland, Aaron,.
Nadia And Lili Boulanger
Aerial : For Piano Solo. Hogan, David,. Publisher: E. Schirmer Music. Kelly, Bryan,. Publisher: Emerson Edition. Chanler, Theodore,. Publisher: G. Schirmer, Inc. Schilling, Hans Ludwig,. Publisher: Wolfgang G. Thankfully, the situation has changed, and British music departments are more diverse than when I began. There remain, however, significant imbalances in some of the same areas in which Nadia Boulanger excelled, and female composers and conductors still face considerable obstacles, including in academic contexts. These will be accessible from: www.
She has published extensively on French music and culture of the Renaissance and on domestic music-making in Britain around , as well as on French musical culture between the wars. Keep up with the latest from Cambridge University Press on our social media accounts.
Βιογραφία συγγραφέα: Brooks Jeanice
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Jeanice Brooks. Nadia Boulanger - composer, critic, impresario and the most famous composition teacher of the twentieth century - was also a performer of international repute.
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Her concerts and recordings with her vocal ensemble introduced audiences on both sides of the Atlantic to unfamiliar historical works and new compositions. This book considers how gender shaped the possibilities that marked Boulanger's performing career, tracing her meteoric rise as a conductor in the s to origins in the classroom and the salon.
Brooks investigates Boulanger's promotion of structurally motivated performance styles, showing how her ideas on performance of historical repertory and new music relate to her teaching of music analysis and music history.
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